Lizzy Borden would have been
a brilliant computer hacker
or a milker of cows. I figured
my figure-of-speech would speak
to me in figurines (as it always does)
so I beat the odds by getting even.
I’m an alarmed clock. I’m running
around the geographic landscape
on a Planet of The Grapes (of wrath)
with Basil Rathbone giving a dog a bone
with my Pre-Internet brain (that has
a mind of its own). My Pre-Internet brain
does have a mind of its own
Somewhere between Thought & Nought
& has returned back to me with potentially
deceptive appearances of nerve energies
paving reflections on the senses, as if
the middle finger of Galileo sitting in
a glass egg among lodestones & telescopes
in an electromagnetic trap had come back
to life like a created monstrosity of body-parts
made up of mirrors looking back at us
with an optical resonator & is superimposed
upon the unstable architecture of our past-selves
which are shapeless & absent, like pointing
the spotlight on a prisoner that never tried to escape.
Metaphors are alive where Mysteries hide.
The days, the hours, how subtle & fleeting
this vanishing breeze; the disappearance
like a turned-over urn; the ashes
like the “color-dust” of dreams.
a brilliant computer hacker
or a milker of cows. I figured
my figure-of-speech would speak
to me in figurines (as it always does)
so I beat the odds by getting even.
I’m an alarmed clock. I’m running
around the geographic landscape
on a Planet of The Grapes (of wrath)
with Basil Rathbone giving a dog a bone
with my Pre-Internet brain (that has
a mind of its own). My Pre-Internet brain
does have a mind of its own
Somewhere between Thought & Nought
& has returned back to me with potentially
deceptive appearances of nerve energies
paving reflections on the senses, as if
the middle finger of Galileo sitting in
a glass egg among lodestones & telescopes
in an electromagnetic trap had come back
to life like a created monstrosity of body-parts
made up of mirrors looking back at us
with an optical resonator & is superimposed
upon the unstable architecture of our past-selves
which are shapeless & absent, like pointing
the spotlight on a prisoner that never tried to escape.
Metaphors are alive where Mysteries hide.
The days, the hours, how subtle & fleeting
this vanishing breeze; the disappearance
like a turned-over urn; the ashes
like the “color-dust” of dreams.
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